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Kvoyle Spring Works

Report · since 1996

Index
Report Sheet 1 · Specimens

Part 1: Specimens

Every spring we wind is one of three kinds: it pushes, it pulls or it twists. Here is how far each one goes on our coilers, what I'll hold it to, and what I've learned the hard way.

§1 Compression

Compression springs

Open coiled, made to be pushed shorter. The most common spring in any parts drawer and the one most often replaced by guesswork.

Fig. 1
Fig. 1, a compression spring side on, with wire diameter, outside diameter, free length, pitch and a ground end marked FREE LENGTH OD PITCH WIRE Ø d GROUND END
Fig. 1. Compression spring, closed and ground ends, 1.0 mm music wire. Pitch is measured centre to centre between neighbouring coils, outside diameter over the wire.
Table 2
Compression ranges
DimensionWhat we wind
Wire diameter0.2-8.0 mm
Outside diameter2-75 mm
Free lengthUp to 300 mm
EndsOpen, closed, or closed and ground
Spring indexHappiest between 5 and 12, mean diameter over wire
Run size10-2,500 pieces

§2 Extension

Extension springs

Wound with every coil touching the next, made to be pulled longer, with a hook at each end. The body rarely fails. The hook is where they let go.

Fig. 2
Fig. 2, an extension spring with machine and crossover hooks, plus two short studies of a side hook and an extended hook MACHINE CROSSOVER LENGTH INSIDE HOOKS SIDE HOOK EXTENDED HOOK
Fig. 2. Extension spring with a machine hook and a crossover hook, and studies of a side hook and an extended hook. Length is always measured inside the hooks.
Table 3
Extension ranges
DimensionWhat we wind
Wire diameter0.2-8.0 mm
Outside diameter2-75 mm
Inside hooksUp to 300 mm
HooksMachine, crossover, side, extended
Initial tensionWound in to your figure, read on the first-off at two extensions
Run size10-2,500 pieces

§3 Torsion

Torsion springs, which I'd wind all day if you let me

A coil that stores a twist and two legs that hand it on. There is more to get right on these than on anything else in the shop.

Fig. 3a
Fig. 3a, a single torsion spring in side view and end view, legs ninety degrees apart, right hand wind SIDE VIEW END VIEW OD LEG 1 LEG 2 90° ±5° LEG 1 LEG 2 RH WIND
Fig. 3a. Single torsion, 90° legs, right hand wind, 2.0 mm music wire. The angle is read between leg centrelines with the spring at rest.
3.1

The legs are the whole job

The coil body just stores the twist. The legs are what touch your machine, and every bit of torque arrives through them. Make a leg two millimetres too long and the spring pushes on a different spot with a different force. Bend it too tight and it cracks there first.

The coiler winds the body. The legs are formed by hand, on Paulo's bench, one at a time against a fixture made for your job.

3.2

Left hand or right hand, and how to tell from a broken one

A torsion spring has to wind tighter when it's loaded, never unwind, so the hand matters. Stand the spring on end and look at the coils facing you. If they climb up to the right, like the thread on an ordinary bolt, it's right hand. Up to the left is left hand.

A broken spring still tells you. Even half a coil keeps its slope. One warning: don't send me a photo from a front-facing camera. Some of them flip the picture, and a mirrored right hand spring looks exactly like a left.

3.3

Leg angles, and why about ninety degrees isn't a number

I get asked for about ninety degrees most weeks. The trouble is that a torsion spring has at least three angles: the free angle, where the legs sit with nothing on them; the installed angle, once it's fitted; and the working angle, at full travel. They can be forty degrees apart, and which one you mean decides the whole spring.

Tell me the free angle if you know it, which leg you're measuring from, and which way it turns when it's loaded. If all you know is how it sits in the machine, send the part it fits on, or a photo of it in place beside a ruler, and I'll work it back. The first-off sheet records the free angle on all three pieces before anything else is wound.

Fig. 3b
Fig. 3b, a double torsion spring with a left hand body and a right hand body joined by a centre loop, outer legs angled up SPAN BETWEEN LEGS LEG LEG LH BODY RH BODY CENTRE LOOP
Fig. 3b. Double torsion, one left hand and one right hand body joined by a centre loop. The loop takes the load; the outer legs bear on the moving part.
3.4

Double torsions

Two bodies wound in opposite hands, joined by a loop in the middle. They balance a load across a wide hinge without twisting it, which is why you find them on seats, lids and hatches.

They are the slowest thing we make. The coiler winds the pair; the centre loop and both legs are formed by hand, and the two bodies have to come out matched or the lid closes crooked. Expect them at the top of the torsion price range, and expect them right.

Table 4
Leg forms and tolerances held
Leg formUsed forTolerance held
Straight tangentialHinges, returns, most lidsLength ±0.5 mm to 50 mm, ±1.0 mm beyond
Straight radialLegs crossing the centre to a postBend within one wire diameter of drawing
Short hookOver a pin or through a holeHook position ±1.0 mm
Offset or double bendClearing a hinge knuckleEach bend ±3°
Free leg angleAll forms±5° as standard, ±2° when the drawing asks
Bend radiusAll formsNever tighter than the wire diameter
3.5

A lid hinge for a feed bin, redrawn four times

It came in as two halves of a rusty spring in a sandwich bag. Drawing one copied the broken spring, bent leg and all. Drawing two straightened the leg, but the lid wanted to stay open at about 110 degrees, not flop shut.

Drawing three made it a double torsion so the wide lid stopped racking. Drawing four moved it to 302 stainless, a size heavier, because feed dust and the hose had eaten the first one. That version has been on the bin for years. The four drawings are still pinned above the torsion bench, in order.

§4 Materials

Wire we keep and wire we order

Music wire and oil-tempered are on the rack most days. The rest we order to the job. The quote still comes back within 2 working days and tells you how many extra days the wire adds.

Table 5
Spring wire, what it's good for, and rough cost
WireGood forCost against music wire
Music wireSmall and medium springs that cycle a lot. Our first choice under 6 mm.1.0
Oil-temperedHeavier wire where music wire gets dear. General machinery.0.9
Hard-drawnLight duty, static loads, cheap first prototypes.0.7
Chrome siliconShock loads and warm spots up to around 220°C.1.6
302 stainlessWet, washdown, feed handling and outdoor work.2.2
17-7 stainlessStainless that has to work hot or hard.3.5
Phosphor bronzeElectrical contacts, non-magnetic parts, salt air.3.0

Relative cost is rough, for the same size and run, with music wire as 1.0. The written quote is the real figure.

§5 Out of scope

What I turn away, and why

X-04

Not because I can't be bothered

  • Garage door torsion springs. They hold enough energy to break an arm while they're being fitted. That job belongs with a door installer, start to finish.
  • Vehicle suspension coils and engine valve springs. They need testing and paperwork a three-coiler shop shouldn't pretend to.
  • Wire over 8.0 mm, or runs over 5,000. Our coilers stop at 8.0 mm, and past 5,000 pieces a high volume plant will be cheaper than us. I'll say so.
  • Flat, clock and constant-force springs. Strip, not wire. A different trade with different machines.
  • Springs for firearms or medical implants. Not here, not in any quantity.
  • Re-tempering or repairing a used spring. A spring that's taken a set has already told you it's tired. I'll wind you a new one, usually for less than you'd think.

Ros

§6 Next

From specimen to order